Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. —Daphne Durham

Guest Reviewer: Dennis Lehane

Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).

Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out—the entire world is, quite literally, dying—so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. —Dennis Lehane

A comic book about comic books. McCloud, in an incredibly accessible style, explains the details of how comics work: how they're composed, read and understood. More than just a book about comics, this gets to the heart of how we deal with visual languages in general. "The potential of comics is limitless and exciting!" writes McCloud. This should be required reading for every school teacher. Pulitzer Prize-winner Art Spiegelman says, "The most intelligent comics I've seen in a long time."

Scott McCloud's Reinventing Comics, the sequel to his groundbreaking work Understanding Comics, is a study of two revolutions: a failed one and a potential one. His 1993 book was not only a chronicle of the potential breakthrough of comics (which he redefined as "sequential art") into a legitimate art form but a sterling example itself of the medium's astonishing untapped potential. Now, seven years later, he chronicles the failure of the comic book industry to fulfill that promise, but also explores how the movement can be restarted, particularly by utilizing the resources of another spectacularly successful revolution, the Internet. In the first half of Reinventing Comics, an elegantly clean example of comic art in McCloud's trademark bold black-and-white style, the author outlines how hype, speculation, and artistic burnout led to the genre's decline. He then lays out 12 paths toward a new revolution of comics, including creators' rights, industry innovation, public perception, gender balance, and diversity of genre, which are then explored with such innovative intelligence that, as with his earlier work, the conclusions he comes to are fascinating for both artists and nonartists alike.

Three of his paths, however, are of particular interest to anyone who wants to know how the Internet will affect both our lives and the livelihoods of future artists. Understanding Comics, with its brilliant how-to guide on marrying image and language, has become an indispensable reference for many Web designers. Now McCloud returns the favor by focusing on how the digital revolution will influence production, delivery, and the art form of comics itself. Informative without being pedantic, controversial without being argumentative, and always entertaining, this is both a worthy sequel to the author's brilliant original and a work that opens up the potential for an entirely different direction for sequential art in the realm of cyberspace. —John Longenbaugh

Scott McCloud's Understanding Comicswas published in 1993, just as "Comics Aren't Just for Kids Anymore!" articles were starting to appear and graphic novels were making their way into the mainstream, and it quickly gave the newly respectable medium the theoretical and practical manifesto it needed. With his clear-eyed and approachable analysis—done using the same comics tools he was describing—McCloud quickly gave "sequential art" a language to understand itself. McCloud made the simplest of drawing decisions seem deep with artistic potential.

Thirteen years later, following the Internet evangelizing of Reinventing Comics, McCloud has returned with Making Comics.

Designed as a craftsperson's overview of the drawing and storytelling decisions and possibilities available to comics artists, covering everything from facial expressions and page layout to the choice of tools and story construction, Making Comics, like its predecessors, is also an eye-opening trip behind the scenes of art-making, fascinating for anyone reading comics as well as those making them. Get a sense of the range of his lessons by clicking through to the opening pages of his book, including his (illustrated, of course) table of contents (warning: large file, recommended for high-bandwidth users):

Imagining Spaceis a lovely coffee-table collection of artists' renderings, photographs, and schematics, along with a comprehensive history of the human effort to explore space and a look at what's ahead. Starting with paintings from the 1950s of what vehicles and their destinations might look like, and zooming through the decades to fantastic renderings of upcoming space technology, NASA historian Roger D. Launius and American University professor Howard E. McCurdy offer a fascinating overview of the promise of the final frontier.

With a foreword by Ray Bradbury and space art by Chesley Bonestell, Imagining Spacehas a solid science fiction pedigree. But some of this stuff is real, and images from achievements like moon landings, interplanetary probes, and the Mars rover seem even more amazing when juxtaposed with the wide-eyed scientific speculations of domed habitats and faster-than-light propulsion systems. After all, the rover really got built ... and it worked! No one really knows where we'll go next, or who'll pay for it, but it's exciting to think that we're likely to go somewhereby 2050, even if it's just high enough to admire our own beautiful planet from a distance. —Therese Littleton

A classic tome of gastronomic science and lore, On Food and Cookingdelivers an erudite discussion of table ingredients and their interactions with our bodies. Following the historical, literary, scientific and practical treatment of foodstuffs from dairy to meat to vegetables, McGee explains the nature of digestion and hunger before tackling basic ingredient components, cooking methods and utensils. He explains what happens when food spoils, why eggs are so nutritious and how alcohol makes us drunk. As fascinating as it is comprehensive, this is as practical, interesting and necessary for the cook as for the scholar.

Verbatim, says the language quarterly's editor, Erin McKean, is "a magazine about all of the fun parts of English and linguistics, written for people who don't necessarily have a Ph.D." This collection of pieces culled from the quarterly is like a candy shop for word lovers. John Tittensor writes about unfortunate last names, Philip Michael Cohen discloses the secret lingo of tiddlywinks players, Pete May explores British football chants, and Jesse Sheidlower reports on the revising of his book The F-Word. Steve Bonner considers "the language as it will never be used," dreaming up evocative word combinations so unlikely that they'd never be uttered: "rotating strawberry madonna,""angry tuba gravy." McKean claims to like "that 'bad English' exists." She also maintains that one should resist correcting the grammar of others. "The easiest way to put your own utterances under intense scrutiny," she warns, "is to toss off a thoughtless public correction of someone else's."—Jane Steinberg

There are hundreds—if not thousands—of techniques used to compromise both Windows and Unix-based systems. Malicious code and new exploit scripts are released on a daily basis, and each evolution becomes more and more sophisticated. Keeping up with the myriad of systems used by hackers in the wild is a formidable task, and scrambling to patch each potential vulnerability or address each new attack one-by-one is a bit like emptying the Atlantic with paper cup. If you're a network administrator, the pressure is on you to defend your systems from attack. But short of devoting your life to becoming a security expert, what can you do to ensure the safety of your mission critical systems? Where do you start? Using the steps laid out by professional security analysts and consultants to identify and assess risks, Network Security Assessmentoffers an efficient testing model that an administrator can adopt, refine, and reuse to create proactive defensive strategies to protect their systems from the threats that are out there, as well as those still being developed. This thorough and insightful guide covers offensive technologies by grouping and analyzing them at a higher level—from both an offensive and defensive standpoint—helping administrators design and deploy networks that are immune to offensive exploits, tools, and scripts. Network administrators who need to develop and implement a security assessment program will find everything they're looking for—a proven, expert-tested methodology on which to base their own comprehensive program—in this time-saving new book.