Design Patternsis a modern classic in the literature of object-oriented development, offering timeless and elegant solutions to common problems in software design. It describes patterns for managing object creation, composing objects into larger structures, and coordinating control flow between objects. The book provides numerous examples where using composition rather than inheritance can improve the reusability and flexibility of code. Note, though, that it's not a tutorial but a catalog that you can use to find an object-oriented design pattern that's appropriate for the needs of your particular application—a selection for virtuoso programmers who appreciate (or require) consistent, well-engineered object-oriented designs.

Deadeye Dick is Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors–a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb–Rudy Waltz, a.k.a. Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Sarah Vowell exposes the glorious conundrums of American history and culture with wit, probity, and an irreverent sense of humor. With Assassination Vacation, she takes us on a road trip like no other — a journey to the pit stops of American political murder and through the myriad ways they have been used for fun and profit, for political and cultural advantage.

From Buffalo to Alaska, Washington to the Dry Tortugas, Vowell visits locations immortalized and influenced by the spilling of politically important blood, reporting as she goes with her trademark blend of wisecracking humor, remarkable honesty, and thought-provoking criticism. We learn about the jinx that was Robert Todd Lincoln (present at the assassinations of Presidents Lincoln, Garfield, and McKinley) and witness the politicking that went into the making of the Lincoln Memorial. The resulting narrative is much more than an entertaining and informative travelogue — it is the disturbing and fascinating story of how American death has been manipulated by popular culture, including literature, architecture, sculpture, and — the author's favorite — historical tourism. Though the themes of loss and violence are explored and we make detours to see how the Republican Party became the Republican Party, there are all kinds of lighter diversions along the way into the lives of the three presidents and their assassins, including mummies, show tunes, mean-spirited totem poles, and a nineteenth-century biblical sex cult.

The Wordy Shipmates is New York Times–bestselling author Sarah Vowell’s exploration of the Puritans and their journey to America to become the people of John Winthrop’s “city upon a hill”—a shining example, a “city that cannot be hid.”

To this day, America views itself as a Puritan nation, but Vowell investigates what that means— and what it should mean. What was this great political enterprise all about? Who were these people who are considered the philosophical, spiritual, and moral ancestors of our nation? What Vowell discovers is something far different from what their uptight shoe-buckles-and- corn reputation might suggest. The people she finds are highly literate, deeply principled, and surprisingly feisty. Their story is filled with pamphlet feuds, witty courtroom dramas, and bloody vengeance. Along the way she asks:

* Was Massachusetts Bay Colony governor John Winthrop a communitarian, a Christlike Christian, or conformity’s tyrannical enforcer? Answer: Yes!
* Was Rhode Island’s architect, Roger Williams, America’s founding freak or the father of the First Amendment? Same difference.
* What does it take to get that jezebel Anne Hutchinson to shut up? A hatchet.
* What was the Puritans’ pet name for the Pope? The Great Whore of Babylon.

Sarah Vowell’s special brand of armchair history makes the bizarre and esoteric fascinatingly relevant and fun. She takes us from the modern-day reenactment of an Indian massacre to the Mohegan Sun casino, from old-timey Puritan poetry, where “righteousness” is rhymed with “wilderness,” to a Mayflower-themed waterslide. Throughout, The Wordy Shipmates is rich in historical fact, humorous insight, and social commentary by one of America’s most celebrated voices. Thou shalt enjoy it.

Power, sex, violence and kindness: these four broad-spectrum categories encompass much of human behavior, so it's only fitting that they're also the primary subject material for Frans de Waal's (The Ape and The Sushi Master) book Our Inner Ape. The few (but deeply detailed) chapters are a mesmerizing read that spans biology, child psychology, postmodern theorists and fundamental morality, using tales of stern chimps, and sexy bonobos to examine humans' place between them. In the process, he examines why we need to know our place in the world, how our body language communicates feelings, and where the roots of empathy lie in mammalian life.

De Waal's respect for both his readers and his research subjects come shining through in the simple clarity he uses when describing both the endless sex of bonobo apes and the heartrending violence occasionally present in chimp hierarchal structure. By illustrating his points with a mixture of straight-from-research experiences and jokes at the expense of modern politicians, he keeps his ideas compelling for anyone with a basic understanding of evolutionary science without drifting towards the academic drone that could be expected of by a researcher of his experience.

You won't find specific conclusions concerning human nature, but instead a gentle, almost rambling look at two primate species with vastly different social networks and how, perhaps, humanity can learn from each to our benefit. A few of de Waal's lovely duotone photos (My Family Album: 30 Years of Primate Photography grace the end of the book, featuring close-up shots of the folks he's been writing about—chimps like Yeroen, Nikkie and Mama, and bonobo Kuif and adopted daughter Roosje are downright thrilling to see after reading such interesting stories about their lives. Jill Lightner

Acclaimed cartoonist Chris Ware reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon). His novel not only won the Manchester Guardian First Novel prize in 2001 but it has sold over 100,000 copies. This book is as much a companion volume to Jimmy Corrigan —one of the great crossover success stories— as a tremendous art collection from of one of America’s most interesting and popular graphic artist.

Chris Ware has a passion for drawing that is surprisingly wide-ranging in style and subject. This book surprises the reader on every page with its sense of spontaneous vision. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures and quietly troubling studies of the still life. A must for people with a passion for modern design and old-fashioned style.

Straggling behind the mild 2003 success of cartoonist Chris Ware's first facsimile collection of his miscellaneous sketches, notes, and adolescent fantasies arrives this second volume, updating weary readers with Ware’s clichéd and outmoded insights from the late twentieth century.
Working directly in pen and ink, watercolor, and white-out whenever he makes a mistake, Ware has cannily edited out all legally sensitive and personally incriminating material from his private journals, carefully recomposing each page to simulate the appearance of an ordered mind and established aesthetic directive. All phone numbers, references to ex-girlfriends, “false starts,” and embarrassing experiments with unfamiliar drawing media have been generously excised to present the reader with the most pleasant and colorful sketchbook reading experience available. Included are Ware's frustrated doodles for his book covers, angry personal assaults on friends, half-finished comic strips, and lengthy and tiresome fulminations of personal disappointments both social and sexual, as well as his now-beloved drawings of the generally miserable inhabitants of the city of Chicago. All in all, a necessary volume for fans of fine art, water-based media, and personal diatribe. This hardcover is attractively designed and easy to resell.

Here is a rollicking parody of the self-help genre, one that skewers the couch-bound, apathetic mentality so pervasive in America today. With tongue in cheek, Sloth guides readers step-by-step toward a life of noncommittal inertia. "You have the right to be lazy," writes Wasserstein. "You can choose not to respond. You can choose not to move." Readers will find out the importance of Lethargiosis—the process of eliminating energy and drive, the vital first step in becoming a sloth. To help you attain the perfect state of indolent bliss, the book offers a wealth of self-help aids. Readers will find the sloth songbook, sloth breakfast bars (packed with sugar, additives, and a delicious touch of Ambien), sloth documentaries (such as the author's 12-hour epic on Thomas Aquinas), and the sloth network, channel 823, programming guaranteed not to stimulate or challenge in any way. ("It may be difficult to distinguish between this and other channels, but only on channel 823 can you watch me sleeping.") Readers will also learn the top ten lies about Sloth, the ten commandments of Sloth, the SLOTH mantra, even the "too-much ten"—over-achievers such as Marie Curie, Shakespeare, and William the Conqueror. You will discover how to become a sloth in your diet, exercise, work, and even love-life (true love leads to passion, she warns, and passion is the biggest enemy of sloth). Wendy Wasserstein is one of America's great comic writers—one who always has a serious point to her humor. Here, as she pokes fun at the self-help industry, she also satirizes the legion of Americans who are cultural and political sloths.